Friday, October 14, 2016

THE ARTIST: A Serial Series book 1: CHAPTER TWO

For those who've read the first chapter of The Artist and want, must read more, here is chapter 2, because I love you. If you haven't yet read chapter one, press HERE.


A Serial Series Book 1
By Diana Graves
Copyright © 2016 Diana Graves
All rights reserved.
Kindle Edition

[CHAPTER TWO]
x

A Serial Series Book 1
By Diana Graves
Copyright © 2016 Diana Graves
All rights reserved.
Kindle Edition

[CHAPTER TWO]

     Jim was totally right.  I found myself sitting in one of the library’s soundproofed study rooms with two men.  The rooms were meant for reading groups or collaborations in which people needed to talk to each other without disturbing the other library patrons, but they worked just as well for interrogations.
     I had expected police, but what I got was FBI agents in snazzy suits that made even Jim look underdressed.  They had a list of books I’d checked out with such titles as: Criminal Minds, The Profile of a Killer, and my personal favorite, One-Hundred and One Ways to Kill.  Was it damning? I didn’t think so, but they did.  The agent in the black suit, agent Miller, slid the list across the table with a strong sure hand, as though it proved something. As though they had caught me red-handed. Agent Miller had dark skin, light brown colored eyes and a smile on his lips.
     “Can you explain your reading material, Miss. Cobb?” asked the agent in the blue suit, a tall pale man with light eyes and hair. Everything about him was fair except the dark thin mustache above his heavy frown. He was standing over me, glaring down at the top of my head.  I guess he was supposed to be intimidating or something.  I didn’t catch his name, if he gave it at all.
     I shrugged.  “I’ve been studying criminology since I was a teenager. It’s a hobby of mine.”
     “You come to this library on a regular basis. At least twice a week.” said Miller.  He seemed calmer, nicer.  If I didn’t know better, I’d say they were actually doing the whole bad-cop/good-cop thing.  I had to smile at that, and it was a big bright smile that held restrained laughter. I nodded. “Why do you study this particular subject?”
     My smile almost slipped but I caught it and held onto it. I was a good liar, always had been. Lying on the spot was my specialty. The trick was to mix truth in with the lie.
     “It started in my sophomore year of high school.  I took a class in psychology.  I remember being told that humans are the only animals that kill their own species.  I’m not sure if that’s true.  I don’t study animals, but it was that statement that made me first curious about what would drive one man to kill another.  Usually its hate, revenge or economic gain; mundane reasons like that.  Serial killers, however, their reasons defy logic.  They might kill a person based on their age, or hair color, or career.  The man that killed the girl on the cross certainly wasn’t driven by anything we could relate to.” I was smiling and talking too fast because for the first time I was discussing my passion with people who might actually appreciate it.
     “Were all his victims so dramatically displayed?” I asked.
     The agents spoke over each other. 
     Miller asked, “What makes you think it was a man?”
     While the man in blue asked, “What makes you think this was the act of a serial killer?”
     I looked at both of them in turn like they were being foolish, but their eyes were trained on me.  They really meant to get their answers. 
     “Come on guys.”  I sighed and relaxed into my plastic chair.  I looked at the agent in blue, still standing over me like I was going to make a run for it. “You wouldn’t be here if it wasn’t a serial killer.  The FBI show up for only a handful of reasons, and a woman found dead in a library isn’t one of them.”  I turned to Miller, “And even if we overlook the fact that it would have taken a lot of muscle to display that body like it was, requiring a lot of upper body strength, less than one percent of serial killers are women.”
     Miller nodded, but the other agent smiled and finally sat down.  It wasn’t a happy smile though.  “So, we shouldn’t suspect you.  Is that what you’re saying?” he said. 
I shrugged (I do that a lot).  “Do what you want.  You’ll just be wasting your time.   Meanwhile your killer will be out there, killing and mutilating another person.”
     Miller nodded rapidly while flipping through a thin stack of papers in front of him.       They were statements written by all the people in the library this morning, including myself.  He found the report he was looking for and quickly read it under his breath before looking back up at me, his eyes narrowed, holding a question for me.
     “Someone stated that you called the crime scene, ‘art.’  Is that how you see it?”
     “No.  But the killer does.  I think he sees himself as an artist, and the woman’s body was his medium.  If he’s a serial killer than there’s more out there somewhere.  More pieces to his collection than just his…crimson angel.”
     “You’re from North Carolina, aren't you Miss. Cobb,” said the agent in blue.
     “Yes. How-”
     “Your accent,” he explained. “I spent some time there. Yours is a bit muddied from being in the North West, but I have an ear for accents.”
     “Ok…”
     “One of the library’s employees filed a complaint against you for harassment, didn’t she?” he continued.
     “Years ago. What kind of conclusion are you trying to draw here? I’m a girl from the south with interests in criminology and I incidentally creeped out some uptight librarian three years ago, so what? I obviously killed this woman? Smart. Good detective work,” I said sarcastically.
     Miller looked to the other agent. The tall pale man shook his head and Miller shuffled his paperwork. “That’s all for now, Miss. Cobb. You may go.”
     I sighed. They disappointed me. I guess what they say about meeting your heroes is true…
     “It’s a serial killer and looking at you two, there will definitely be more bodies out there in the future.” And with that I stood and moved to leave the room.
     “Don’t leave town,” the agent in blue said before the door closed behind me.


Thursday, October 13, 2016

THE ARTIST: A Serial Series book 1: CHAPTER ONE

As you might know, I'm writing two novellas at this moment; a zombie book with no official title and a murder mystery called The Artist, about a serial killer who turns the human body into works of art. On this blog, you can read the first 5 chapters of the zombie book HERE, but I haven't posted so much as an excerpt of The Artist. Here is the first chapter of The Artist:





A Serial Series Book 1

By Diana Graves

Copyright © 2016 Diana Graves

All rights reserved.

Kindle Edition


[CHAPTER ONE]
are you thinking?” he asked. Bewilderment made his face seem uncertain of what
expression it should hold.  I looked up at him, and I knew I was
positively beaming with joy! No anticipation! No pure elation!



       
She didn’t smell as bad as I thought a dead body should smell.  There was no hint of rot or decay. Instead, she smelled of bleach and a strong floral perfume, the cheap kind that some women seem to bathe themselves in. The smell reminded me of going to church on Sundays in the South, in which older women boldly wore a choking musk that lingered in the air and tainted everything it touched long after the wearer had gone. Standing as close to the corpse as I was, I could taste the perfume on the back of my tongue, and I imagined that’s what hairspray must taste like.
The body was hanging on a crucifix that was nailed to the old oak bookshelves.  Her wrists and feet were nailed into place.  I was eye level with her stomach, where all her insides were coming out of a perfectly carved hole.  Her intestines were draped around her hips, creating a scarlet skirt that hid her womanhood. Her white-blond hair hung heavy over her shoulders, hiding her bare breasts. I had to wonder why the killer took such great lengths for modesty’s sake, when every other part of her was exposed. It was usually a sign of remorse, but displaying her so bravely in public challenged that notion and pegged the killer as an attention seeking narcissist.
As deplorable as the murder was, I had to admire the killer’s workmanship. Meat from the woman’s back had been skillfully pulled out in ribbons and attached to her outstretched arms, like ruby-red wings.  But for all the gore, every inch of the woman was expertly painted; from her lily white skin to her cherry red innards. Perhaps reality wasn’t as pretty as the killer had hoped.  The whole image was breathtaking, but the red mask covering her face was bothering me for some reason. It begged to be removed.
Jim, the head librarian, whispered sharply, “Carmen,” when I reached a hand up to lift the girl’s mask off her face. I glanced back at him for only a second before looking back at the body. I couldn’t stop staring at her.
“Carmen,” he said again, and I looked back at him. He was motioning with his hands for me to take a step back and I begrudgingly obliged.
Satisfied with my compliance, he walked away to attend to other patrons and I watched after him as he did what he could to comfort them. I’d known Jim for eight years. He was an unassuming man of average height and body type, but his smiling brown eyes and mousy brown hair made him look far younger than his forty-seven years. The goatee and walnut-shaped prescription glasses did much to mature him.
I was alone standing in the aisle, mere feet from the body.  Everyone else was sitting in the heart of the library, waiting to be allowed to leave. I could understand why most people wouldn’t want to look at the dead woman. Not long ago it was a person, and what had been done to her was horrifying. I, however, felt compelled to stare at her. I was captivated by her from the moment I ran into the large aisle, curious about all the yelling.  This section in the public library was designated for religious literature.  I’d never stepped a foot in it until now.
With Jim out of sight, I inched closer to the body. I had to keep my arms folded over my chest, so I wouldn’t lose myself again and reach out to her. I bent my head to the side to try and see her face under that mask. The closer my face came to her, the more I could smell raw meat gone bad under all that paint, bleach and perfume.
“Carmen, step away from the body, step away.  The police will be here soon,” Jim said as he walked by the aisle to check up on me.  
I rolled my eyes, but he was right. Getting too close to the body was stupid.  I backed away from the woman slowly, rubbing my sweaty hands on my jeans, but I stared after her.  The word breathtaking kept coming to mind, scary too...but so breathtaking.
“What do you think?” asked Amber as I stepped out of the aisle.  Amber had long black hair, a thin body type, and a frumpy sense of fashion. She had a naturally beautiful face, though; big eyes, small nose, plump lips, tapered chin. All the things our culture teaches us to find attractive. But she didn’t seem to grasp her potential.  She looked plain when she could have looked gorgeous with very little effort.
I shrugged my shoulders to evade answering her question because I knew she wouldn’t like my answer. She never liked what I had to say. Never.
I’d known Amber for years, because like Jim, she worked here as a librarian, and I spent a lot of time here. I could have stayed home and read all these books via a digital download, but I adored the smell of books, the feel of plopping a heavy tome on the table and poring over it for hours, filling my notebooks with facts, ideas and sketches.  Flipping through the pages and soaking in the knowledge gave me a sense of purpose and a natural high that scrolling down a touchscreen tablet could never achieve. Plus, libraries are free.
Amber was an apt enough librarian but she was easily offended. With my interests in abnormal psychology and criminology, I’ve offended her quite a few times over the years without meaning to.  Apparently, she didn’t like me telling her all about Jeffrey Dahmer, a serial killer who raped, murdered and ate seventeen boys and men. She filed an official complaint against me. She called it gross intimidation and harassment. That overreaction almost got me banned from the library altogether. I didn’t talk to Amber after that so you can imagine that she was the last person I wanted to talk to about the dead woman hanging on the cross.
But she was also an emotional wreck because she was the person who found the body.  It was her hysterical cries that brought me into the aisle, along with the rest of the library patrons, employees, and singular guard, Chuck. He was a big guy, with what seemed to be equal amounts of muscle and body fat. Six feet tall, bald head and small squinting eyes. His tan uniform didn’t fit well. It was baggy around the groin and chest, but stretched too tightly around his stomach and shoulders.
Chuck was standing at the entrance of the library waiting for the police and making sure nobody left.  The police asked him to do this, and in a booming voice, he announced said request over the library intercom shortly after the body was found.  There weren’t that many people at the library at ten in the morning on Tuesday, but we few were now prisoners of circumstance.
“Come on, Carmen,” Amber prodded.  “You study this...stuff. What do you think?” Her eyes were swollen and rimmed in red from crying. She was in distress and maybe she thought some kind of answer would make her feel better...
“Fine. She was killed, obviously. She was cleaned with bleach, cut up, painted in red and white and posed like a sculpture. She’s a work of art,” I said quietly.  “At least, I hope it happened in that order.”
Her hazel eyes zeroed on me and her top lip curled up, like she smelled something awful.  I sniffed the air, but I didn’t smell anything save for the bleach and perfume.
“What is it?  Did I forget to brush my teeth this morning?”  I hid my mouth with my hands until Amber shook her head and grunted in frustration.  I gave her a raised brow.
“Art?” she asked.  Her words were hushed, but her tone was aggressive.  “The cross, the angel wings…clearly, this is a terrorist attack on Christianity.”
I looked back at the body again.  She was nailed to a cross, and her insides were strewn about her, making her a gruesome angel.  She was even placed in the religious section of the library, but it didn’t feel like an attack on anything.  It felt like a showing, a display of something the killer was proud of.  It was a gruesome display of love. It was a statement piece, but I couldn’t quite grasp what the statement was. 
“A lot of religions have angels and crucified gods or heroes in them,” I said. “Dionysus, Horus, Krishna, Mithra, Attis of Phrygia.”
Amber shook her head, looking at me like I just didn’t get it, whatever it was. 
I shrugged.  “You asked my opinion, I gave it.  The killer may have used religion as his artistic inspiration, but I don’t think religion was the reason this woman was killed.”
“That makes absolutely no sense,” chimed in white-haireded man in an argyle sweater.  “Obviously the killer was a Satanist, and she was his human sacrifice.” 
It was a drive-by comment.  The man made his thoughts known and exited without waiting for my rebuttal, which was, “That’s a ridiculous suggestion based on religious and cultural bias.  How does this in any way resemble the work of a Satanist?”
But I was talking to myself.  Amber left the conversation with the man, and I was left standing at the entrance of the aisle alone.  I looked out at the library.  A handful of people were sitting at a long table.  Most of the people were quietly consoling each other, talking in their usual library voices.  As if anyone was reading a book.  It was then that I noticed the first suspicious look in someone’s eyes.  A woman looked at me from the safety of her husband’s arms.  It was the same look Amber gave me earlier; as though she smelt something awful.  I didn’t know her, so I shrugged it off and looked back at the body.
“Carmen,” said Jim from behind me.  I looked over my shoulder at him.  Jim had a perpetual boyish charm about him that made me smile.  He looked small standing between the broad shoulders of two tall crime scene techs in white jump suits.  I looked up at them with awe. Wow, real crime scene technicians wearing real white suits with masks and everything just like on television! How cool was this?
“Make way, please,” one of the techs said.
I stepped aside and let the techs pass me, though it was unnecessary.  The aisle was big enough for the four of us.  Without a word, one tech began snapping pictures, while the other wrote notes on his clipboard.  I wondered how many crime scenes they’d processed, and if this one was more outrageous or gruesome than the others.  By their blank faces and relaxed manner, I’d guess they’d seen worse.  I’d seen worse too, but only in pictures and on TV. 
“Come with me,” Jim said, taking my attention away from the men.
“What is it?” I asked aloud, deciding that whispering seemed silly.
Jim led me into the next section of the library without a word.  We found ourselves in the children's section, surrounded by bright colors, stuffed animals and miniature furniture.  He walked me deep into the open area and looked at me with the same kind eyes I’d come to expect from him over the years.  I smiled and he frowned.
“What?” I asked again.
He looked down, searching for his words maybe, and then back up at me.  His face was more guarded somehow.  I wasn’t used to that.  Jim was an open book, always ready to talk or dish out bits of wisdom.  Seeing him look at me cautiously made my stomach sink.
“Now that’s the reaction you should have had twenty minutes ago,” he said quietly.
“What reaction?” 
He raised one eyebrow, and gave me a flat look.  “Uncomfortable, Carmen, sick to your stomach. Not curious, not enraptured.  It’s a dead body for Pete’s sake.”
I looked at him with a tilted head, my brows pressed together in confusion.  He wasn’t making any sense.  Killers, serial killers were my passion. Their motives and their personalities intrigued me.  I had a deep yearning to know and understand the minds of killers. And their crimes are their personal demons manifesting themselves in the most horrific way imaginable.  That body out there was a treasure trove of information more telling than anything else he could have left behind short of a DNA sample.
“But…you know how I feel about murder, murderers in particular.   What reaction would you expect me to have?”
“I don’t know. Maybe I did expect curiosity, but do you know what people are saying out there?  They’re saying that you enjoyed looking at that body.  They’re saying that you could have done this, Carmen.  That’s what they’re going to tell the police.” 
“So what if they do? There’s no evidence to support their preposterous theories. I'm a killer based on what? Curiosity?” 
He stepped into my personal bubble, my two feet of comfy-space radius that no one was allowed to enter, not even my mother.  I backed away and he grabbed my arm to stop me. 
“Let go of my arm Jim.”
He brought his face within inches of mine.  It was a kissable closeness, and I could smell the toothpaste on his breath, and the faint sweet smell of cologne or aftershave. 
“Jim?”
“The police are going to question you.  They might even ask me for your book check-out history.  They’ll be suspicious.  What are you going to tell them?” 
What would I tell the police?  I thought about it for a moment, staring down at our shoes.  He wore highly polished black dress shoes, which matched his polished style perfectly.  I was wearing my usually sneakers.  Slowly my lips grew into a long red smile.
“What

Sunday, October 9, 2016

ZOMBIES AND KILLERS, 2 THRILLERS!

I have two novellas in the works.

The untitled, Zombie Book I've been playing with since 2013, about Erin; a single mom surviving a zombie apocalypse with her baby. She escaped a cult of evil sadistic humans and finds three super nerds living in an underground bunker with a British hotty and a kick ass grandma. Awesomeness, right! 

Read the first chapter HERE



And, The Artist. A woman named Carmen Cobb, who is addicted to information about criminal minds, specifically serial killers is attracting some rather dangerous attention as an artist who uses the human body as his medium, aims to impress her for romantic reason.

Read the first chapter HERE.


This should be fun. I'm aiming to have them both done by the end of the year, and since they are tiny books, only 100 pages or more, they will be priced as low as Amazon lets us go, .99 cents. 



Friday, September 16, 2016

A VERY HONEST REVIEW

This is one of my favorite reviews! I love Gary Henry's work and his ability to find the soul of a novel. Please enjoy his thoughts on Fatal Retribution. 


Fatal Retribution by Diana Graves

Let me begin by saying that writing a novel is a terrific achievement. I know, having written one ~ and only one. My hat is off to anyone who can complete a novel.
That said, here is my honest opinion of Fatal Retribution by Diana Graves, a paranormal urban-fantasy thriller-romance which I finished reading Wednesday.
Characters: Protagonist, narrator, and part witch/part elf/part vampire Raina Kirkland narrates this sometimes gruesome tale of supernatural crime and punishment.
Red-eyed, auburn-haired Raina heads up a distinctly drawn, colorful cast of mostly supernatural characters, including a family as dysfunctional as any human family.
Raina has heart and attitude. She delivers her lines with snark, but author Diana artfully weaves lack of confidence into her persona. For instance, though 21 years old, Raina lives with her Mom.
Diana does a nice job with her characters’ physical descriptions, which I feel gives the story depth, texture and color.
“Hey Mom,” I said quietly when she was finished with her craft.
She turned to me with a smile. Her eyes matched her long hair, black as pure onyx laced with gold. All of her features would suggest her to be an elf, but her curves. They gave her away as something else. The something else was half witch. Having the full attention of her large black eyes was always a little unsettling. Good thing it didn’t happen often.
Even minor characters, like Raphael the demon get clearly depicted.
The smoke grew into a tremendous beautiful shape. It looked something like a great bat or dragon. It had a thickness and a smell; dark ash and brimstone. It was the smell I had smelled earlier but stronger, more choking a presence. Red burning shadows played on the grey metal walls and the demon, Raphael, appeared to us; ashen skin, tight black leather clothing and hair the color of the setting sun. His eyes had a light in them; the brightest royal blue. It made the walls purple with both red and blue mingling lights.
Most of Diana’s characters are vampires, elves, witches, warlocks and more — even an obscure supernatural creature known as a “barguest.” She gives them all a basic humanity that makes them believable and mostly sympathetic.
Plot: After Raina and her brother Michael are infected in a surprise attack by an illegally created vampire, she enters adulthood on a quest to bring retribution to those responsible.
Setting: Fatal Retribution takes place in a contemporary world in which supernatural beings exist side-by-side with humans. The immediate locale is Washington State.
Diana offers some wonderful settings, like the town of Darkness, a tourist destination run by vampires. The town has street names like “Bloody Mary’s Corner” and “Artery Boulevard.”
There’s also “Bite Me Street” and — I loved this — “Chains of Death Candy & Gift Shop.”
Raina’s prosaic descriptions of the book’s supernatural settings are priceless.
What I thought could’ve been done better: Diana has penned a wonderful story, but there are a few jarring instances of misspelling and wrong word.
For instance, early in the novel, Raina’s bad-boy brother Nick teases her by calling her “fang bait” — which I loved — except Diana spelled it “bate,” which was a bump in the road of an otherwise enjoyable ride.
In another occurrence, Mato, the vampire sheriff of Darkness, explains that one of the town’s higher-ups is a succubus.
“She congers lust and feeds from it.”
Should be “She conjures lust and feeds from it.”
Diana also missed a few opportunities to use active voice instead of passive. For instance:
My brothers were standing around the fire pit, newly ablaze with fresh wood to fuel it. Nicholas was dressed in all black; a black tank top, black jeans, and black nail polish.
Slightly tighter and more active: My brothers stood around the fire pit, newly ablaze with fresh wood to fuel it. Nicholas wore all black; a black tank top, black jeans, and black nail polish.
These are minor points; not at all deal-breakers. Diana serves up plenty of serious active voice and vivid verbs where it counts, as I’ll point out in the next section.
What I thought was good: I mentioned active voice and vivid verbs. These are the muscles of writing. Fatal Retribution has them most of the time.
Wild blue flames burst from his body, shooting from his eyes and mouth, as though he were burning from the inside out. Before I could react the burning vampire slammed into me. He took me to the ground with him, burning us both, his skin enveloped in flames. We screamed together.
I’ve already mentioned that I liked Diana’s descriptions of characters and places. She develops Raina well through narration. I particularly liked how, early in the book, Raina ends many of her observations with a one-word-sentence.
He ripped away from my arm, taking a chunk of it with him, but it fell from his mouth as he growled at her from over my body. Whatever happened to want not, waste not? Jerk.
Fatal Retribution also serves up plenty of gore, a pleasant surprise in what I first thought was going to be a story about elves and witches and romance. I should’ve paid more attention to the title. Here, Raina tries to find a child left alive in a pile of corpses:
I hesitated only a second before I started digging my hands into the body parts, blood, and cold heavy meat, wet and tangled hair glided over my arms. I wanted to puke so badly. I closed my eyes and let my hands search through the gore, reach out to the emotion I felt.  
“Where are you?” I said through gritted teeth. “Help me! Damon, please!” I didn’t mean to scream it, but as I pulled my arms out of the pile someone’s large intestine broke, and whatever composure I had broke when bile spilled out over my arm, thick and still warm.
Ewww! But I mean that in a good way.
The crown jewel, however is Raina. She’s a lovely three-dimensional character, who ranges from tender-hearted and vulnerable, to snarky and annoyed, to furious and raging, to insightful and analytical, to romantic and sexy.
In short, a woman.
Overall: Fatal Retribution easily overcomes a few typo-shortfalls to deliver an action-packed paranormal romp. It’s full of emotion, heart and guts — and I mean guts in every conceivable way.
It’s great paranormal fun with a parade of the most human supernatural creatures you’re likely to meet, starting with the narrator.
Good job Diana!

Saturday, September 10, 2016

TOXIC WARRIOR COMING SOON

I have a tentative release date for Toxic Warrior. If all editing is done on time, I'm looking forward to an October 1st Publishing Date! Yay! ^_^

Cut off from the rest of the world, Washington State thrives in every way a place and a people can thrive. No death, no hunger, no homelessness. Only prosperity and relative peace...But this too, shall pass.
When an international incident turns bloody, Raina is the last person standing between peace and a devastating world war. But who can contend with the will of the gods?





Thursday, August 18, 2016

I JUST DON'T GET IT

Most of my reviews are fantastic, inspiring, critical but fair. I always thank my reviewers because they are so important to me. But this one review has been bothering me for years. I let it go because I think it's not classy to grill my reviewers for their opinions. However, today I noticed that it was my Top Review. It' s almost funny that the most popular review for Fatal Retribution is a two star review that is so not right...

2 STARS:
Nice set up. Raina is the sistermof a very complicated family, Vampire uncle, half elf mother, necromancer brother, and a witch brother. Unfortunately, th eset up is all it has going for it. Raina is 21, but emotionally she is 14. All the characters act younger then they are. She spends most of the book crying and being saved. At the end she is transformed in to confident powerful person with no explaination. Just does not work.


*He thinks Raina's brother is a necromancer, NO! Where did he get that idea?
*He thinks a 21 year old girl should be the epitome of maturity...shakes head. Has he ever been 21. I was an emotional wreck...and BTW, I wrote this book at the age of 23, so I should know. 
*Raina Cried exactly 5 times in the worst week of her life:

1. Watches her brother die
2. Holds her younger brother's hand while he dies just hours later. She's covered in his blood!
3. Sees her older brother being tortured.
4. Her mother disowns her after a extremely traumatic near death experience.
5. Pulls a toddler out of a pile of dead bodies.

*He thinks a young woman having gone through hell could in no way become a stronger person?   "Just doesn't work" People don't just decide to stop getting shit kicked in their faces and stand up for themselves out of no where, no never. (that was absolute sarcasm, by the way)

What an idget, and so are all the people who thought that review was the least bit useful or helpful. I just don't get it. Why is this one the top reviews when it's so wrong? If it's people just wanting to support a bad review because of whatever, there are other, harsher reviews that are better written.